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The Great Sphinx of Giza Resource Page
  • Home
  • About the Great Sphinx of Giza
  • FAQs about the Great Sphinx
  • Image Gallery 1 - Images of the Great Sphinx 16th -18th centuries CE
  • Image Gallery 2 - Images of the Great Sphinx from the Early 19th Century
  • Image Gallery 3 - Images of the Great Sphinx from the mid-19th century
  • The Tunnels and Chambers of the Great Sphinx Part 1 - Origins
  • The Tunnels and Chambers of the Great Sphinx Part 2 Death and Resurrection
  • The Sex of the Great Sphinx of Giza
  • The Roman Remains at the Great Sphinx of Giza
    • The Roman Remains at the Great Sphinx of Giza - Appendix 1
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    • The Roman Remains at the Great Sphinx of Giza - Appendix 3
  • Books and Articles about the Great Sphinx of Giza
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    • About the Great Sphinx of Giza
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    • Image Gallery 1 - Images of the Great Sphinx 16th -18th centuries CE
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    • The Tunnels and Chambers of the Great Sphinx Part 1 - Origins
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    • The Sex of the Great Sphinx of Giza
    • The Roman Remains at the Great Sphinx of Giza
      • The Roman Remains at the Great Sphinx of Giza - Appendix 1
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The Great Sphinx Depicted as a Greco-Roman Bust - André Thevet (1556)

The Sphinx portrayed in André Thevet’s Cosmographie de Levant, (1556)     

The Great Sphinx illustrated as a male Greco-Roman bust

Early European travellers were often unaware of the colossal body of the Great Sphinx buried under the sand.

These travellers therefore often described and depicted the Sphinx as a colossal carved head.  In the case of André Thevet, it was even portrayed as a classical Greco-Roman bust.

The accompanying text to this illustration states: "Near these pyramids there is a very large head, which is made of stone. According to the opinion of some, it is the head of a colossus made by Isis, daughter of Inachus, formerly the beloved of Jupiter..."

This interpretation differs subtly but fundamentally from the opinion expressed by  Johannes Helfrich in 1582 that the sculpture was "an image of the goddess Isis."

Source:  Cosmographie de Levant, (1556) by  André Thevet’s

©K Taylor 2020-2026 Research, analysis, and editorial content by K.Taylor.  Historical images are reproduced from public-domain sources unless otherwise credited.
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